Eat Diviness is an extensive art project that is thought of as a clumsy Hollywoodesque film, a mix of clichés: a thriller, a musical and a mockumentary. It evokes cult and classical films such as: Psycho, Rocky Horror Picture Show, Female Trouble, Tommy, and Close Encounters of the Third Kind, among others.

It is divided into chapters, which in turn are divided into scenes. Every scene will be an individual project: Installations, Actions and Environments. Each of the series of pieces is meant to be autonomous, in other words, they should work and support themselves as individual work of art, and at the same time, the final video and the pieces of installation that compose it (drawings, paintings, sculptures, furniture, etc.) integrate and give shape to the final work.
 

The Musical Thriller Eat Diviness will be a complex Environment-Installation, where videos of the chapters from this pseudo-film are going to be exhibited in rooms, immersing the viewer in a journey through its different scenarios. This is a synesthetic journey that goes through what is seen on the videos, and that in turn simulates a hyperreal environment in which the story is lived.

The ideas that generate Eat Diviness start from seeing reality as simulation and fiction. Concepts such as the transexual model proposed in Jean Baudrillard's texts, the seduction of artificiality, the constant bombardment of the media and the culture of discontent, together with the aggressiveness of consumerism are explored.

Formally, the narrative is a purulent plot of memories, thoughts, dreams and nightmares. Recurrent images of reality, fiction, the habitual, extraordinary and incomprehensible. Truth and falsehood. True memories mixed with TV memories or borrowed experiences and also absurd fantasies, nonsense and a lot of boasting. All mixed up. An insane fiction combined with lard, pork meat, blood, late night TV, neon, fashion, androgynous celebrities and art.

Presented as a House of Horrors, it is the basic attraction in every amusement park or fair.